During my time at the Jacobs School of Music, I recorded over 600 hours of live performances. This included 7 major ensembles, two of which I Head Engineered. I collaborated with production teams to design optimal audio setups, enhancing auditory experiences for both performers and audiences. Also, I troubleshot audio issues and optimized setups within strict deadlines, ensuring seamless live event execution.
Collaborated with the IU Concert Orchestra to record their performance of the Back to the Future score, synchronized with the film. Responsibilities included creating the patch sheet, recording, and mixing for archival purposes.
Led a team of three audio engineers in the recording and live streaming of the annual Nutcracker production. Oversaw the development of the patch sheet, microphone setup, and final mixing for the show.
Supported the recording of the Spring Ballet, assisting with the patch sheet, microphone placement, and audio mixing.
Collaborated with a team of four audio engineers to record the University Orchestra. Contributed to microphone placement and post-production tasks.
Led a team of four audio engineers to mix the live stream of Barber of Seville during the COVID year.
Contributed to the recording of these operas with a team of four engineers. Assisted in score-following to highlight key audio elements, microphone placement, and post-production efforts.
Participated in the recording of Le Nozze di Figaro with a team of four engineers. Provided support in score-following for key audio notes, microphone setup, and post-production.
- DM 2000
- DM 1000
- Pro Tools
- Dante
- Wavelab
- Qlab
- Dante Level 1 and 2
- Analog Audio Electronics Certificate - Jacobs School of Music